My Year in Books

Another year has slid past and here we are in the brand new year of 2015. As each year draws to a close, we see several programs on TV and radio recounting what major events have taken place in the world in the past 12 months.

In keeping with this sentiment, I wondered … how would I like to look back at the last year? I wanted it to be a positive glance back. Then I got it. Through books, of course!

The past year has been a gold mine for me in terms of the books I have read. They ranged from a true story of a war survivor to light-hearted mysteries to gut-twisting historicals to books on writing.

I present here the five books that most influenced my worldview, as a reader and a writer, the past 12 months.

1. The Invention of Wings by Sue Monk Kidd. This book, which has women’s rights and abolition movements at its heart, is set in the early-nineteenth-century Charleston, NC. It follows the remarkable lives of its two protagonists—a slave named Handful and her owner, Sarah. The following two snippets from different parts of the book sum up the impetus behind the story:

   “You think there’s no detriment in a slave learning to read? There are sad truths in our world, and one is that slaves who read are a threat.”
   
   “The truth”, she said, “is that every girl must have ambition knocked out of her for own good.”

2. Burial Rites by Hannah Kent. Set in the remote farmlands of northern Iceland of the early 1800s, this is one of the most atmospheric novels I’ve ever read. The protagonist, Agnes, is charged with murdering two men and is sent to an isolated farm to await execution. The book explores Agnes’s inner turmoil and how the relationships among the inhabitants of the farm change when they are forced to share the confined quarters of their croft with a convicted murderer. The author conveys much subtext and tension in the little ways the characters interact and the things they choose to share (or not) with each other. The author switches between several POVs (first-person for the protagonist and limited third for everyone else) and present and past tenses. Rather than detract from the story, this experiment seems to add to its stark narrative. What a feat! Here’s one powerful sentence from the book:
   
   The dream reminded me of what will happen, of how fast the days are passing me by, and now, lying awake in a room full of strangers, gazing at the patterns of sticks and peat in the ceiling, I feel my heart turn over and over and over until I feel twisted in my gut.

3. Writing 21^st Century Fiction by Donald Maass. This book is a must-read for anyone who’s trying to get published in the current market. Maass, an author and head of a successful literary agency, explains in simple terms the pulse of the current publishing industry and gives writers the tools necessary to write fiction that is bold and grabs the attention of the 21^st century reader. Here’s an example:

   Find a quiet emotional moment. Is it artfully written, delicate, subtle, nuanced, and precise? Congrats. Make it enormous: a tidal wave, an attack, a life-altering earthquake.

4. Once Upon a River by Bonnie Jo Campbell. This detailed odyssey of survival and self-preservation alternately made my heart swell with pride and ache from sadness for its sixteen-year-old protagonist Margo Crane. True, all that attention to guns, rifles and vivid—and at times superfluous—hunting scenes made me flinch in certain portions of the book, but I won’t forget the reticent but tenacious Margo Crane in a hurry.

   As July melted into August, Margo listened to gangs of newly fledged robins picking at the underbrush in such numbers that the woods floor seemed alive. She watched nuthatches spiral down trees headfirst to the ground and back up again. … And Margo still did not see police boats searching the river for her.

5. Rivet Your Readers with Deep Point of View by Jill Nelson Elizabeth. While struggling to decide between a first-person POV and a limited third-person for my current manuscript, I happened upon this book. Although at times too simplistic in its view and explanations, it helped me tremendously in going “deep” into my characters’ perspectives. The author says:

   Deep POV renders “telling” nearly impossible, because that annoying, invisible narrator has been given the boot!

From what angle would you like to look at your year past? Please share with us!

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