Posts Tagged ‘Miss Read’

Miss Read: it’s the name of one of my all-time favorite authors. Dora Saint was her real name, but she was better known by her pseudonym, Miss Read.

Dora Saint worked as a school teacher before she began to write full time. She admittedly gleaned many of the subjects and topics for her numerous novels and short stories from her real life experiences while living and teaching in rural England.

She wrote three popular series of novels — among other fiction and non-fiction volumes — set in the fictional villages of Thrush Green, Fairacre and Caxley in the English countryside. (As far as I know she wrote only two books set in Caxley as opposed to at least a dozen in each of the other two.)

When my sister first introduced Miss Read to me close to two decades ago, it was a perfect opportunity for me to transition my childhood love for Enid Blyton’s rural England to a more mature appreciation for the lifestyle via Miss Read’s books. The settings and happenings in Miss Read’s novels couldn’t be farther from the hustle and bustle of my own life; I couldn’t devour the books fast enough. Luckily for me, and scores of others who adored her books, she has had a prolific writing career.

On the surface, the stories follow the laidback routines of pastoral England with its thatched cottages and primly laid out gardens. If you care to delve deeper into the pages, however, you will have gained a firmer understanding of the basic human emotions such as: love, curiosity, competition, eccentricities and companionship.

Dora Saint, the author, does not sit on a pedestal and pass judgment on her characters. Rather, her writing is a testimony to her incisive, but compassionate, study of the human psyche and its usual (or not so usual, at times) foibles. And that’s what makes the books so precious in their quality.

Each of the books set in Thrush Green chronicles the lives of the inhabitants of that lush and charming Cotswold village. Who can forget the unparalleled eccentricities of Dotty Harmer; the righteous laziness of Albert Piggott; the cheroot-smoking boisterousness of Ella Bembridge; the nonchalant promiscuousness of Nelly Tilling; the epic miserliness of the Misses Lovestock? You can’t help but fall in love with each of these utterly disarming characters.

Fairacre books feature the school teacher Miss. Read and her supposedly uncomplicated life as it becomes entwined with those of the others in the village and thus adds another full year to her life in each volume. Each character helps make Miss Read’s spinsterly life (which she means to keep that way despite the constant wooing of one or two beaus and the innumerable attempts of the villagers to get her hooked up) read delectably rich and engaging.

Among many others, Dora Saint has inspired Jan Karon, the American author who wrote Mitford Series. Irish musician Enya named two tracks in two of her albums after Miss Read’s novels.

Dora Saint passed away on 12th April of this year. However, she lives on through the numerous characters she brought to life with the gentle strokes of her pen.

I can never tire of Miss Read’s works; they only get dearer to me each time I re-read them.

In fact, Miss Read’s books to me are what “Raindrops on roses and whiskers on kittens” are for Maria in The Sound of Music.

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When you’re skimming through a book to see whether you’d want to invest your time in reading it, what are the things that you look for?

Imagery and sense of humor are the two things that catch my attention – in addition to overarching elements like genre, setting, pace and plot, of course – when I’m trying to decide whether a book is worth reading or not.

(If given a choice, I would never reject any book, because every one of them has a lesson to teach a writer, be it: “how to do things right” or “what mistakes not to make as a writer”. However, because of the fact that the time at our disposal is not unlimited, sometimes, regrettably, I put down a book just after judging it by its cover and/or the content of its jacket flap.)

Sometimes, even if the plotline of a book doesn’t appeal to me, I go ahead and finish reading it just because I love the author’s voice and style of expression.

So, what is this Style or Voice of a writer?

William Strunk Jr. and E.B.White say this in The Elements of Style:

With some writers, style not only reveals the spirit of the man but reveals his identity, as surely as would his fingerprints.

I couldn’t agree more with what Strunk Jr. and White claim and have a personal experience along the exact lines of what they opine.

I happen to adore an English author called “Miss Read” (it was a pseudonym for Dora Saint) and have read almost all the books she has ever written — some even multiple times.

Once, I came across a book called “A Light in the Window” by American author Jan Karon (it was a few months after the first book in her ‘Mitford’ series was released – this series went on to become quite popular soon).

I chose to read that book because it sounded like I would enjoy the rural setting and the sedate pace of the book (which are trademarks of Miss Read’s books).

I brought it home from the library and as I began to read it, my heart began to beat faster. (Hey, I already admitted to being an incurable bookworm, didn’t I?)

Reason? The setting of the book and the voice of the author reminded me very much of Miss Read’s books. I quickly flipped to the back cover of the book and skimmed through the snippet of information included there about the author.

And sure enough, Jan Karon had acknowledged that she’d written that book inspired by none other than Miss Read.

You cannot imagine the elation I felt at having recognized the voice of Miss Read not in one of the books she had written, but in a book inspired by her.

You sit down at a desk, relax and let the words flow naturally – this is how your voice as a writer is born.

A writer’s voice is what sets her apart from any other writer. Even if two writers are given the same story line and asked to write a book each, based upon their choice of words, i.e., their style and voice, chances are the two outcomes end up looking completely different.

A novice writer’s voice may be the result of a lot of things, among which some possibilities are:

  • The influence of the voice of authors that she likes
  • His personality traits
  • Her linguistic ability
  • The way he expresses himself when he speaks
  • Elements of those books that make them enjoyable for her
  • His training and past experiences etc.

The same voice may not work for all genres and age groups. For instance:

  • A younger children’s book needs a faster pace, lesser description and more humorous sequences, while a young adult book can invest more pages in imagery and narration of the setting. 


  • A historical YA romance begs for a voice completely different from a contemporary, realistic coming-of-age MG book.

Having said that, an author’s voice may change some based on the genre or the age group, and emerge and evolve as the person grows as a writer, but the underlying distinguishable elements  of her voice will remain the same (unless the writer in question works consciously in adapting a completely new voice and style for reasons for her own).

Here are a few things I discovered since I began to write myself:

  • The main characters in my books have – at least aspire for – a sarcastic bent of voice (the sarcasm being of the self-deprecatory type rather than the variety which puts others down).


  • I like to take my time to describe a setting — I subconsciously personify inanimate things and interpret images through their purported actions/characteristics.

Lo and behold – these are the exact two things that I enjoy in the books that I read! It doesn’t mean that I sat down one day and decided that this is what my Style would be as a writer. Quite the contrary – it just happened naturally.

  • What makes you tick as a reader?


  • If you happen to write also, then what are the major attributes in your Voice? And does your writer’s voice have elements in common with those features in the books that you cherish as a reader?

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